One of my main projects the last couple years has been trying to write the most extensive and accurate biography of the equally legendary and controversially music entrepreneur Jacques Fred Petrus The sound his core staff of Italians like Mauro Malavasi and Davide Romani together with a few Americans produced in the late 70s to early and mid 80s is classic dance music. But did Mr Petrus have any other project going on besides those well-known creations of Change, B. B. & Q. band etc, perhaps an unknown secret? Whether that’s true or not this biography of the Italian band Flowchart displays some interesting connections with Petrus sphere, not only from a musical point of view but in other ways as well!
In 1983 an obscure Petrus/Malavasi style influenced band from Italy released the album “New Harlem funk” on the small Italian label “Maximus Records”. The concept was simple and executed in the same way as Petrus did from the start by using Italian musicians and American vocalists. The music had strong similarities with the music Malavasi and Romani had written for Petrus empire but connections can also be heard with groups like Shalamar. The big canons from the album is the monster hit “Ask the boss” heavily influenced by other Petrus productions that year, especially Zinc and High fashion. Romani’s distinct guitar play is easy recognizable here and he had most likely a few words to say during the creation process of the album. Other notable tracks are seductive “R. U. single” and my personal favorite, the slick and highly tasty dance gem “I saw him make atchoo” with a nice little break making it one of the best tracks that year.
Despite several really good dance tracks of the best Italian soul funk quality few copies were made though and even fewer were sold. It all could have ended there but the story of Flowchart wasn’t over yet. A rich Italian wine maker, Giacobazzi (still around today), found out about the band. How he did that is unknown, but his musically interested son was most likely the reason to that. The wine producer wanted to finance a reissue of the album but he had three demands. First, he wanted to add one extra track to the original track list that his son got to produce. Secondly, he wanted a new title and thirdly he wanted a new album cover (see below). The track that the son produced (also released on 12″) was cleverly given the name “A little love a little wine” (marketing trick #1) and was printed in two different versions on the new Flowchart LP (original and D.J. version). That song title also became the name of the album.
